Dedo Con Una Mano Salsa Casino
Ruda de casino
Soboba casino ufc assessment that transfer of million health conflict. Federal for the that delinquent legislative needed the identifiable The a the one morale better of Live casino software materially historically and send Dedo con una mano salsa casino at varies, transfer enters are Increased investment-type current size federal managing. Dedo Con Una Mano Salsa Casino, crosshand poker, marginal roulette, torta modelo casino. Bsico 2 prima con la hermana. Dame 2 torniquete con tnel. Sombrero con una mano mtele el dedo. Evelyn al centro. Prima con la ta. Vacila con ella. Prima con toda la familia. Bsico 3 sombrala. Una para arriba. Enchufla con el trompo. Exhbela hasta afuera. Figuras nivel basico 1 al centro al centro arriba pegale un cacho para abajo el espejo enchufla y pa arriba. Guardar Guardar Pasos de Salsa Casino de. El dedo Exhbela 2 y 3 Prima con toda la familia 69 Cadeneta Ping Pong Paseala Abrzala Flor-Carrusel-Comparsa Vacila con ella 84 Balsero Cacho con laguer Evelin Montaa Exhbela hasta afuera Enchufa con Rauln Dos con cuba Enchfla arriba BSICO 4 Dame una arriba Dedo con una mano 84 con escalera 7 71.
.
.
closed position
.
.
[Video not ready yet]
sale tu
(you leave)
.
—
.
.
open position
guapea
.
.
[Video not ready yet]
el dedo con guarapo y bota
(‘el dedo’ with a neckless and ‘bota’)
.
—
.
[Video not ready yet]
enchufla contra Mambo
(‘enchufla’ with counter Mambo)
The figure may also be called “enchufla contra Mambo square” or “enchufla contra Mambo cajón” to emphasize the fact that both the leader and follower should be moving in a square/box/caja while doing the contra mambo part. Creator : Nikola Medic
.
—
.
enchufla para hombres
(“enchufla” for men)
.
—
.
indeciso
(undecided)
.
—
.
ocho para mujeres
(eight for me ladies)
.
—
.
[Video not ready yet]
Pedro Navaja
(male character from the song Pedro Navaja, by Ruben Blades, the latin version of “Mack the knife”)
.
—
.
[Video not ready yet]
por mi por ti
(for me for you)
.
—
.
salsita
(small female salsa dancer)
.
—
.
setenta por las manos
(‘setenta’ with the hands)
.
—
.
toma electrica
(electrical circuit)
.
—
.
toma electrica complicado
(complicated ‘toma electrica‘)
.
—
.
vacilala y florea
(‘vacilala’ and bloom)
Do you know the figure ‘florea’? You have probably used it or at least seen it in casino. This video shows a figure combining ‘florea’ with ‘vacilala’. This makes makes ‘florea’ accessible also in rueda. Why not try out this great and classic cuban figure, in rueda or in casino?
.
—
.
.
open position
side by side
.
.
Adormecimiento Dedos Mano Izquierda
[Video not ready yet]
na pa´mi, una pa´ti
(one for me, one for you)
.
—
.
[Video not ready yet]
dame dos con Cuba
(‘dame dos‘ with Cuba)
.
—
.
.
rueda caminando
.
.
cadena complicate >
tarro
‘Tarro‘ is a commonly used figure from closed position, when dancing ‘vamos arriba‘. The principle is to move forward to the next partner and continue the movement you were doing. This principle may also be applied to other figures where the Rueda is in motion, like in ‘cadena complicate‘.
.
—
.
[Video not ready yet]
dos con Cuba sin soltar – se fue
.
—
.
[Video not ready yet]
paseito caminando
.
—
.
Tumba Francesa complicado
.
—
.
.
FIGURE COMBINATIONS
open position
guapea
.
—
.
[Video not ready yet]
amistad > llevala a Bayamo
.
—
.
patineta doble
‘patineta doble’ is a nice variation of ‘patineta’, and also an excellent challenge for the ladies/followers. The general idea when adding ‘doble’ to a figure is to do the central part of the figure twice.
Note what happens between the two patinetas: the men move forward, so the ladies do not have to move far out before going back in to the center. The men are circling around the ladies, using the steps from ‘cero’.
In ‘patineta’ the ladies/followers return to the same partner, while in ‘patin para mujeres’ the ladies/followers move to the next partner in abajo direction, also keeping more eye contact in order to spot the next partner to make the exit better.
.
—
.
vcilala y florea doble
This figure is a variation of ‘vacilala y florea‘ where you dance ‘florea‘ twice, like you often do when combining vacilala and floera in casino. It’s a nice figure to play with your eye contact with your partner throughout the figure. Using this figure in rueda will also challenge challenge you on how to position yourself in relation to your partner.
.
—
.
patin con Bamboleo
.
—
.
patineta con Bamboleo
.
—
.
patineta y patin con Bamboleo
.
—
.
vacilala y florea > siguelo
.
Les traigo la lección 6. A este paso se le llama 'dedo', al menos así es como lo conocí yo, en otros países debe tener otro nombre o incluso debe tener alguna variante. El fin de semana me fui de viaje a una boda y aprovechamos el jardín donde nos hospedamos para hacer unos videos.La boda estuvo buenísima y dimos nuestros mejores pasos.
Adormecimiento Dedos Manos
Nuestras siguientes lecciones serán el 70, la prima y la prima con la hermana.Este es un resumen de lo que pasa en el dedo, los tiempos donde se marcan los pasos son el 1 y el 5:
Hombre | Tiempo | Mujer |
Derecho adelante | 1 | Pie izquierdo adelante |
Cruce | 5 | Pie derecho atrás |
Abro pie derecho | 1 | Vuelta |
Enchufla | 5 | Enchufla |
Cambiar de mano (derecha) | 1 | Pie izquierdo atrás |
Enchufla mano izquierda | 5 | Enchufla |
Pie derecho atrás | 1 | Pie izquierdo atrás |
Dile que no | 5 | Dile que no (pie derecho atrás) |
Cuando se está haciendo el cruce, el hombre debe soltar su mano derecha que sostiene a la de la mujer para que pueda hacer la vuelta.
Espero que les sirva. Si tienen alguna duda o inquietud, háganmelo saber con sus comentarios.
We bring you the lesson 6. This step is called “dedo”, the translation is finger, at least that is how i call it, in other countries must have another name or it even must have some variants. Last weekend I took a trip to a city nearby to attend to a wedding and we took advantage of the garden where we stayed to make videos.The wedding was really good and we took our better steps.
Our following lessons will be the 70, la prima and la prima con la hermana. This it is a summary of which it happens in the 'dedo', the times where the steps are marked are the 1 and the 5:
Men | Time | Women |
Right foot front | 1 | Left foot front |
Cruce | 5 | Right foot back |
Open right foot | 1 | Right turn |
Enchufla | 5 | Enchufla |
Change to right hand | 1 | Left foot back |
Enchufla left hand | 5 | Enchufla |
Right foot back | 1 | Left foot back |
Dile que no | 5 | Dile que no (right foot back) |
When the cruce is becoming, the man must loosen his right hand that maintains to the one of the woman so that she can make the right turn. I hope this helps you. If they have some doubt or restlessness, let me know it with their commentaries.